Suny Study Questions, chapters 7 and 8
Detailed questions on chapter 7
What contradictions does Suny identify in NEP society?
Why does Suny call NEP society and amalgam of cultures?
Why were class designations so important to the Communist Party?
Was it easy to determine objective class distinctions during NEP?
How did the Party do this?
Does Suny himself see class distinctions as an "objective" category? Explain.
When and why did the civil war migration of people from town to countryside reverse? What were the results?
When and why did workers’ standards of living begin to improve?
How did NEP affect the gender balance in the workforce? Explain.
What sort of special treatment did Red Army soldiers receive?
What kind of goods did the NEP economy concentrate on and why?
According to Suny, what about the NEP ecopnomy created tensions between workers and the Communist Party, and how did the party try to lessen these?
How did workers actually organize themselves at work during NEP?
What were the arteli? Why did these pose a problem for Soviet economic goals?
Were workers’ lives during NEP stable and secure? Explain.
What does Suny mean by "low classness" (p. 176)?
What were the functions of the rural commune and the rural household during the 1920s?
What three social "classes" did the Communists "see" in the countryside?
Does Suny think that there were really class divisions in the villages? Explain.
Were peasants enthusiastic about the Communist Party? Explain.
Who were the Nepmen, and what was there economic function?
Why were so many members of the Communist Party hostile towards NEP?
How were former Red Army soldiers reintegrated into civilian society? Why was that important?
In what sense was the army a "school for socialism"?
What sort of "radical" social programs did the Soviet government implement in its first decade (especially regarding women)?
Did these programs result in real emancipation of women? Explain. Did women’s situation improve or worsen?
Did all groups (including peasants) support the state’s family reforms?
Explain the Soviet government’s position on religion during NEP. Was it consistent?
Explain the Orthodox church’s position towards the Soviet government during NEP. Was it consistent?
Explain Suny’s main point about the legitimacy of the Soviet regime during NEP.
How did the regimes symbols and its claim to legitimacy change during NEP?
How did the cult of Lenin work to legitimate the regime?
"BIG" questions on chapter 7
Why was the concept of "class" so important to Soviet/Party culture, and why was it so vital that they ascribe class characteristics to various groups?
Thinking about the material in this chapter and in chapter 6, why would the aims of workers and the aims of the party have been in conflict during NEP?
Why was Bukharin’s "pro-peasant" policy (chapter 6) so difficult a thing for party members to accept? Why fear the peasantry?
Was Lenin’s conception of NEP only economic? Or was it cultural as well? Considering this, and thinking about the issue of the Nepmen, why would party members (and especially young party members) be impatient with NEP?
How did the "civil" functions of the army and the various Soviet social programs and anti-religious campaigns discussed in this chapter fit into Lenin’s "cultural" concept of NEP?
Why did the leadership create a "cult of Lenin"?
Detailed questions on chapter 8
Did the intelligentsia support the Bolsheviks in 1917?
What happened to the pre-revolutionary intelligentsia once the Bolsheviks were in power?
Did the avant-garde poet Blok support the Bolshevik revolution? Explain.
Did Lenin and the Bolsheviks think much of the avant-garde artists? Explain.
Who was Anatoli Lunacharskii, and what did he think of the avant-garde?
What was the Proletkult? The VAPP? Did the Party in the early 1920s support any one of these literary/artistic groups over the others? Explain.
How did the Bolsheviks understand the uses of art, theater, etc?
What is meant by the term "the soft line on culture"? Why was the party "soft" towards artists in 1921-28?
Explain in a few words the main point/ideas about art made by of the following people and artistic movements during NEP:
The Sarapion Brothers
The "National Bolsheviks" and the Changing Signposts Movement
Aleksandr Voronskii
Trotsky
The journal Left
What happened to Sergei Esenin and Vladimir Maiakovskii, and what can there fate show us?
What sort of values did early Soviet films tend to depict?
Did Soviet audiences want to watch "political" films? What sort of entertainment did people seem to like?
What role did educators like Lenin’s wife, Nadezhda Krupskaia, think that education could play in building socialism? Explain.
What kinds of school reforms did the Bolsheviks implement?
Did teachers like these reforms? What other obstacles did the reforms face?
Explain how the relationship between the Bolshevik government and the universities changed between 1917 and NEP.
What actually happened to public education during NEP? Explain. What was expected out of the schools? Did they have the resources to meet such goals?
What became of the "soft line on culture" in 1928?
What does Suny mean by the term "Cultural Revolution" as a designation of a particualr time period and policy? (You should note that this is a term that historians applied the term to this period later on, not a term people used at the time.)
What had Lenin meant by "cultural revolution"? How did that differ form the party’s new policy in 1928-35?
How was "class war" rhetoric used against different groups in 1928-29? For instance, vs. "bourgeois specialists," scientists in the Academy of Sciences, and writers like Mikhail Bakhtin?
What sort of function were artists and critics supposed to have according to the new "hard line" on culture?
Who won the "culture wars" of the 1920s?
"BIG" questions on chapter 8
Why did the new regime need the intelligentsia?
Why would many intellectuals have "come to terms" with the new regime in the twenties?
What did most party officials hope that art and education would do in the twenties?
Why didn’t these educational and cultural ambitions work out?
What were the basic issues at dispute during the "culture wars" of the 1920s?
What simple ideas seem to have driven "the Cultural Revolution," and why might these ideas have been effective means of mobilizing the party for action?
What might Stalin have meant by the term "engineers of the soul"?